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Пушкин = Дюма
 
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👉 Подпишись, чтобы не пропустить новых кРАмольных видео https://goo.gl/5HzLCr Ведет расследование Игорь Анатольевич Кудрявцев - известный юрист, в разное время возглавлявший юридические департаменты крупнейших российских компаний. Практическую деятельность он начал в Московской прокуратуре, проработав в общей сложности около десяти лет в должности старшего следователя районной прокуратуры, прокурора следственного управления прокуратуры г.Москвы, заместителя прокурора одного из центральных районов города. За время его работы у него не было ни одного нераскрытого преступления! Игорь Анатольевич провел собственное расследование обстоятельств гибели А.С.Пушкина по всем правилам ведения следствия. При этом были использованы показания свидетелей - сведения, содержащиеся в документах и личной переписке участников тех событий, результаты вскрытия захоронения в Пушкиногорье Псковской области, почерковедческой и иных экспертиз. Пушкин и Дюма почти ровесники: первый родился в 1799 году, второй – в 1802-м. Если взглянуть на портреты этих двух литературных гениев, сразу бросается в глаза их удивительное сходство: смуглая кожа, цвет глаз, форма лба, бровей, носа, темные кудрявые волосы. А в молодости Дюма и вовсе – вылитый Пушкин. Исследователи утверждают, что все это благодаря африканским корням обоих Александров. Прадедом Пушкина по материнской линии был Абрам Ганнибал, – привезенный из Африки воспитанник Петра I. У Дюма чернокожей была бабушка по отцовской линии – бывшая рабыня с острова Гаити. И все же, хоть африканские черты и сохранились спустя поколения, это не объясняет причины столь сильного сходства. Ведь принадлежность к одной расе еще не делает людей похожими друг на друга как две капли воды. Между прочим, однажды Александра Дюма тоже «похоронили заживо». В 1832 году в одной французской газете напечатали сообщение о том, что Дюма расстреляли полицейские за участие в восстании. После этого писатель надолго покинул Францию. Примечательно, что до смерти Пушкина Дюма написал лишь несколько небольших произведений и был почти неизвестен. Зато в конце 1830-х вдруг стал выдавать роман за романом, и о нем заговорили даже за пределами Франции. https://kramola.info/node/2010 Пушкин и Дюма – один человек? Опубликовано 19 августа, 2016 - 12:33 Великий русский поэт Александр Сергеевич Пушкин на самом деле не погиб на дуэли. Он инсценировал собственную смерть, после чего отправился в Париж и стал прославленным писателем Александром Дюма. Звучит абсурдно, не правда ли? Однако авторы этой невероятной гипотезы приводят довольно убедительные доводы своей правды. Два Александра 27 января 1837 года в Санкт-Петербурге во время дуэли с кавалергардом Жоржем Дантесом был смертельно ранен светоч русской литературы Александр Сергеевич Пушкин. А вскоре после этого во Франции засверкала новая звезда – тоже Александр, только по фамилии Дюма. Но что примечательно: французский Александр внешне оказался поразительно похож на российского. Пушкин и Дюма почти ровесники: первый родился в 1799 году, второй – в 1802-м. Если взглянуть на портреты этих двух литературных гениев, сразу бросается в глаза их удивительное сходство: смуглая кожа, цвет глаз, форма лба, бровей, носа, темные кудрявые волосы. А в молодости Дюма и вовсе – вылитый Пушкин. Исследователи утверждают, что все это благодаря африканским корням обоих Александров. Прадедом Пушкина по материнской линии был Абрам Ганнибал, – привезенный из Африки воспитанник Петра I. У Дюма чернокожей была бабушка по отцовской линии – бывшая рабыня с острова Гаити. И все же, хоть африканские черты и сохранились спустя поколения, это не объясняет причины столь сильного сходства. Ведь принадлежность к одной расе еще не делает людей похожими друг на друга как две капли воды. Любвеобильные бунтари Но русский и французский Александры схожи не только внешне. Пушкин с ранних лет проявил литературные способности, тогда как в точных науках, таких как математика, оказался совершенно бездарным. Также он имел низшие баллы по поведению. Исследователи жизни поэта отмечали, что «за все пять лет пребывания в лицее Пушкин успешно отстаивал свою личность от всяких на нее посягательств, учился лишь тому, чему хотел, и так, как хотел». Взрослый Пушкин был известен буйным характером, любил кутежи, карты и дуэли. При этом Александр Сергеевич считался отличным бретером. Еще одна яркая черта поэта – неравнодушие к слабому полу. Стоит также отметить политические взгляды Пушкина: он водил дружбу с будущими декабристами, а за эпиграммы в адрес Александра I едва не угодил в Сибирь. А вот как описал юного Александра Дюма исследователь его биографии французский писатель Андре Моруа в своей книге «Три Дюма»: «Он был подобен стихийной силе, потому что в нем бурлила африканская кровь. Он был наделен невероятной плодовитостью и талантом сказителя.
Просмотров: 47982 Крамола
2017 - 500 лет после Лютера [весь трактат одним файлом]
 
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Трактат "2017 - 500 лет после Лютера" в текстовом формате здесь: https://goo.gl/ChSbr6 Трактат "2017 - 500 лет после Лютера" в форматах pdf, doc, mp3, epub а также обложку книги, видео рекламу и образ диска DVD для записи, можно найти по этой ссылке: https://goo.gl/U4EEeA Люди должны знать не только имя самого известного протестанта, но и понимать истинную причину реформации, знать «за что» на самом деле боролись реформаторы и, главное, увидеть добилась ли реформация поставленных целей? Уверяем вас, откровенная правда никого не оставит равнодушным. "Реформация не окончилась, как многие предполагают, со смертью Лютера. Она должна продолжаться до окончания истории мира. Лютер совершил великую работу, распространяя свет, дарованный ему Богом, однако это был не весь свет, в котором нуждался мир. С того времени и до наших дней со страниц Священного Писания постоянно исходит свет, помогающий открывать истину." (Великая Борьба стр 148)
Просмотров: 25982 Total Onslaught
974 - Воззвание к протестантским братьям / Тьма перед рассветом - Вальтер Вайс.
 
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Декларация о перспективе : Церковь, Служение и Евхаристия» - этот документ, который использовался 31 октября 2017 года, когда отмечалась 500-летие реформации, и было заключено мирное соглашение между протестантской и католической церквями. Вопрос заключается в следующем: станет ли единство более важным, чем доктрины?
Просмотров: 10170 Total Onslaught
973 - От конфликта к единству. / Тьма перед рассветом - Вальтер Вайс.
 
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Пришло ли для нас время, чтобы простить и забыть все то, что привело к Реформации? В ознаменование 500-летнего юбилея Реформации 31 октября 2017 года католики и протестанты закопали топор войны. Может ли быть истина принесена в жертву на алтаре мира? Как мы узнаем, какие традиции на самом деле библейские, а какие просто человеческие? Эта лекция поможет вам понять важность следования истине, которая может быть найдена только в одном месте, в Библии.
Просмотров: 8671 Total Onslaught
Защити меня от противника моего. Э. Энрикес
 
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" Прежде же всего того возложат на вас руки и будут гнать вас, предавая в синагоги и в темницы, и поведут пред царей и правителей за имя Мое…" ( Евангелие от Луки 21:12) “Одаренные обаятельные люди, которые когда-то тоже радовались истине, для этого времени, всеми силами будут стараться прельстить других и ввести их в заблуждение. Такие люди станут злейшими противниками, своих прежних братьев.” (Великая борьба стр.608) Оригинальное видео https://youtu.be/vx5m6SDoC4E
Просмотров: 5843 Total Onslaught
Learn the Bible in 24 Hours - Hour 5 - Small Groups  - Chuck Missler
 
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Join us with Session 5 of our updated and fully remastered version of 'Learn the Bible in 24 Hours' with Dr Chuck Missler. - SUBSCRIBE to our channel. We bring you weekly Q&A Sessions and content from Koinonia House - To Become a Small Group Leader: http://www.KILeaders.info - To Join a Small Group: http://www.KIGroups.info
Просмотров: 86972 Koinonia House
Сэм Харрис. Может ли наука определить моральные ценности? (русские и англ. субтитры)
 
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Сэм Харрис. Может ли наука определить моральные ценности? / Sam Harris Can Science Determine Human Values Оригинал: http://youtu.be/mnssYJFSNfc В своей новой работе Сэм Харрис, автор книг «Конец веры» и «Письмо к христианской нации», призывает к завершению религиозной монополии на мораль и общечеловеческие ценности. «Моральный ландшафт» стирает границу между научными фактами и человеческими ценностями, разрушая наиболее принятое обоснование для религиозной веры: система морали не может основываться на науке. Книга «Конец веры» подтолкнула к дебатам о состоятельности религии во всем мире. Вследствие этого, Харрис обнаружил, что многие ученые и религиозные деятели сходятся в одном мнении: науке нечего предложить в отношении человеческих ценностей. Даже среди фундаменталистов очень часто можно услышать довод, основанный не на убедительном доказательстве существования бога, а на одной вере, которой вполне достаточно, чтобы прожить жизнь достойно. Споры о человеческих ценностях лежат в сфере, где наука официально не имеет своего мнения. Такое положение вещей существовало до сих пор. Автор утверждает, что мораль, по сути, является развивающейся ветвью нейробиологии, в то время как ответы на вопросы о нашей системе ценностей можно представить визуально в качестве «морального ландшафта», в котором вершины и впадины отображают состояние большего или меньшего человеческого благополучия. Различные способы мышления и поведения, проявляющиеся в разных культурных практиках, этических нормах, формах правления и т.д. выражаются в перемещениях по всему ландшафту. Такие изменения могут быть проанализированы на многих уровнях — от биохимии до экономики. В то же время, осознание того, что они представляют собой опыт человеческого мозга, является критическим. Харрис привносит свежий светский взгляд на вековые вопросы о том, что хорошо и что плохо, показывая на примерах, как много теперь известно о функционировании нашего мозга и его взаимосвязи с происходящим вокруг, чтобы утверждать, что существуют правильные и неправильные ответы на наиболее животрепещущие вопросы в жизни человека. Поскольку такие ответы существуют, идея культурного релятивизма оказывается неверной, и человечество платит за нее высокую цену. По аналогии с тем, что нет христианской или исламской алгебры, не может быть и христианской или исламской нравственности. Используя знания философии и нейробиологии наряду с опытом участия в «культурных войнах», Сэм Харрис приводит веские доводы в отношении будущего науки и основ для сотрудничества людей. Перевод выполнили: Вениамин Тюльпанов и Наталия Иванова Редакция: Людмила Артемьева
Просмотров: 3550 natushkatzm
nakaz
 
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Просмотров: 450 Net Ghost
Suspense: Crime Without Passion / The Plan / Leading Citizen of Pratt County
 
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A crime of passion, or crime passionnel, in popular usage, refers to a violent crime, especially murder, in which the perpetrator commits the act against someone because of sudden strong impulse such as sudden rage or heartbreak rather than as a premeditated crime. The act, as is suggested by the name (crime passionnel - from French language) is often associated with the history of France. However, such crimes have existed and continue to exist in most cultures. A crime of passion refers to a criminal act in which the perpetrator commits a crime, especially murder or assault, against someone because of sudden strong impulse such as sudden rage or heartbreak rather than as a premeditated crime. A typical crime of passion might involve an aggressive pub-goer who assaults another guest following an argument or a husband who discovers his wife has made him a cuckold and proceeds to brutally batter or even kill his wife and the man with whom she was involved. In the United States civil courts, a crime of passion is referred to as "temporary insanity". This defense was first used by U.S. Congressman Daniel Sickles of New York in 1859 after he had killed his wife's lover, Philip Barton Key, but was most used during the 1940s and 1950s. In some countries, notably France, crime passionnel (or crime of passion) was a valid defense during murder cases; during the 19th century, some cases could be a custodial sentence for two years for the murderer, while the spouse was dead; this ended in France as the Napoleonic code was updated in the 1970s so that a specific father's authority upon his whole family was over. http://en.wikipedia.org/wiki/Crime_of_passion
Просмотров: 89058 Remember This
Гай Юлий Орловский - Любовные чары №5| Юджин – повелитель времени (Озвучка СР Максим)
 
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Аудиокнига озвучена при помощи СИНТЕЗАТОРА РЕЧИ "Максим", поэтому, прошу не обращать внимание на ошибки произношения. Аннотация на книгу «Любовные чары»: «Ну тупые они, тупые!.. Глерды, бароны, герцоги, даже короли. А вот я весь в белом, да еще и колдовать подучился…» Но это проклятое превосходство, кроме понятных и ожидаемых радостей, почему-то переполняет тягостным чувством, дескать, если можешь больше, то и обязан… чего-то там больше. А глерд Юджин, как и все, очень уж не любит отвечать даже по мелочам. ПРИ ПОДДЕРЖКЕ https://youtube.com/LitRPG-books
Просмотров: 23663 Maksim Books
ZEITGEIST: MOVING FORWARD | OFFICIAL RELEASE | 2011
 
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Please support Peter Joseph's new, upcoming film project: "InterReflections" by joining the mailing list and helping: http://www.interreflectionsmovie.com LIKE Peter Joseph @ https://www.facebook.com/peterjosephofficial FOLLOW Peter Joseph @ https://twitter.com/ZeitgeistFilm * Sign up for TZM Mailing List: http://www.thezeitgeistmovement.com/ Sign up for the Film Series Mailing List: http://zeitgeistmovie.com/ This is the Official Online (Youtube) Release of "Zeitgeist: Moving Forward" by Peter Joseph. [30 subtitles ADDED!] On Jan. 15th, 2011, "Zeitgeist: Moving Forward" was released theatrically to sold out crowds in 60 countries; 31 languages; 295 cities and 341 Venues. It has been noted as the largest non-profit independent film release in history. This is a non-commercial work and is available online for free viewing and no restrictions apply to uploading/download/posting/linking - as long as no money is exchanged. A Free DVD Torrent of the full 2 hr and 42 min film in 30 languages is also made available through the main website [below], with instructions on how one can download and burn the movie to DVD themselves. His other films are also freely available in this format. Website: http://www.zeitgeistmovingforward.com http://www.zeitgeistmovie.com SUPPORT PETER JOSEPH (DONATIONS): http://zeitgeistmovie.com/torrents.html Release Map: http://zeitgeistmovingforward.com/zmap DVD: http://zeitgeistmovie.com/order.html Movement: http://www.thezeitgeistmovement.com Subtitles provided by Linguistic Team International: http://forum.linguisticteam.org/
Просмотров: 24990626 TZMOfficialChannel
Suspense: Tree of Life / The Will to Power / Overture in Two Keys
 
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Alfred Hitchcock's first thriller was his third silent film The Lodger (1926), a suspenseful Jack the Ripper story. His next thriller was Blackmail (1929), his and Britain's first sound film. Of Hitchcock's fifteen major features made between 1925 and 1935, only six were suspense films, the two mentioned above plus Murder!, Number Seventeen, The Man Who Knew Too Much, and The 39 Steps. From 1935 on, however, most of his output was thrillers. One of the earliest spy films was Fritz Lang's Spies (1928), the director's first independent production, with an anarchist international conspirator and criminal spy character named Haghi (Rudolf Klein-Rogge), who was pursued by good-guy Agent No. 326 (Willy Fritsch) (aka Det. Donald Tremaine, English version) -- this film anticipated the James Bond films of the future. Another was Greta Garbo's portrayal of the real-life, notorious, seductive German double agent code-named Mata Hari (Gertrud Zelle) in World War I in Mata Hari (1932), who performed a pearl-draped dance to entice French officers to divulge their secrets. The chilling German film M (1931) directed by Fritz Lang, starred Peter Lorre (in his first film role) as a criminal deviant who preys on children. The film's story was based on the life of serial killer Peter Kurten (known as the 'Vampire of Düsseldorf'). Edward Sutherland's crime thriller Murders in the Zoo (1933) from Paramount starred Lionel Atwill as a murderous and jealous zoologist. Other British directors, such as Walter Forde, Victor Saville, George A. Cooper, and even the young Michael Powell made more thrillers in the same period; Forde made nine, Vorhaus seven between 1932 and 1935, Cooper six in the same period, and Powell the same. Hitchcock was following a strong British trend in his choice of genre. Notable examples of Hitchcock's early British suspense-thriller films include The Man Who Knew Too Much (1934), his first spy-chase/romantic thriller, The 39 Steps (1935) with Robert Donat handcuffed to Madeleine Carroll and The Lady Vanishes (1938). http://en.wikipedia.org/wiki/Suspense_thriller
Просмотров: 393799 Remember This
Suspense: 19 Deacon Street / A Week Ago Wednesday / The House in Cypress Canyon
 
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The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, "Backseat Driver," which originally aired February 3, 1949. The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain. At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with "Death on My Hands": A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him. With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series despite shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's "The Man Who Went Back to Save Lincoln" or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas. http://en.wikipedia.org/wiki/Suspense_%28radio_drama%29
Просмотров: 30755 Remember This
Our Miss Brooks: Accused of Professionalism / Spring Garden / Taxi Fare / Marriage by Proxy
 
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Our Miss Brooks is an American situation comedy starring Eve Arden as a sardonic high school English teacher. It began as a radio show broadcast from 1948 to 1957. When the show was adapted to television (1952--56), it became one of the medium's earliest hits. In 1956, the sitcom was adapted for big screen in the film of the same name. Connie (Constance) Brooks (Eve Arden), an English teacher at fictional Madison High School. Osgood Conklin (Gale Gordon), blustery, gruff, crooked and unsympathetic Madison High principal, a near-constant pain to his faculty and students. (Conklin was played by Joseph Forte in the show's first episode; Gordon succeeded him for the rest of the series' run.) Occasionally Conklin would rig competitions at the school--such as that for prom queen--so that his daughter Harriet would win. Walter Denton (Richard Crenna, billed at the time as Dick Crenna), a Madison High student, well-intentioned and clumsy, with a nasally high, cracking voice, often driving Miss Brooks (his self-professed favorite teacher) to school in a broken-down jalopy. Miss Brooks' references to her own usually-in-the-shop car became one of the show's running gags. Philip Boynton (Jeff Chandler on radio, billed sometimes under his birth name Ira Grossel); Robert Rockwell on both radio and television), Madison High biology teacher, the shy and often clueless object of Miss Brooks' affections. Margaret Davis (Jane Morgan), Miss Brooks' absentminded landlady, whose two trademarks are a cat named Minerva, and a penchant for whipping up exotic and often inedible breakfasts. Harriet Conklin (Gloria McMillan), Madison High student and daughter of principal Conklin. A sometime love interest for Walter Denton, Harriet was honest and guileless with none of her father's malevolence and dishonesty. Stretch (Fabian) Snodgrass (Leonard Smith), dull-witted Madison High athletic star and Walter's best friend. Daisy Enright (Mary Jane Croft), Madison High English teacher, and a scheming professional and romantic rival to Miss Brooks. Jacques Monet (Gerald Mohr), a French teacher. Our Miss Brooks was a hit on radio from the outset; within eight months of its launch as a regular series, the show landed several honors, including four for Eve Arden, who won polls in four individual publications of the time. Arden had actually been the third choice to play the title role. Harry Ackerman, West Coast director of programming, wanted Shirley Booth for the part, but as he told historian Gerald Nachman many years later, he realized Booth was too focused on the underpaid downside of public school teaching at the time to have fun with the role. Lucille Ball was believed to have been the next choice, but she was already committed to My Favorite Husband and didn't audition. Chairman Bill Paley, who was friendly with Arden, persuaded her to audition for the part. With a slightly rewritten audition script--Osgood Conklin, for example, was originally written as a school board president but was now written as the incoming new Madison principal--Arden agreed to give the newly-revamped show a try. Produced by Larry Berns and written by director Al Lewis, Our Miss Brooks premiered on July 19, 1948. According to radio critic John Crosby, her lines were very "feline" in dialogue scenes with principal Conklin and would-be boyfriend Boynton, with sharp, witty comebacks. The interplay between the cast--blustery Conklin, nebbishy Denton, accommodating Harriet, absentminded Mrs. Davis, clueless Boynton, scheming Miss Enright--also received positive reviews. Arden won a radio listeners' poll by Radio Mirror magazine as the top ranking comedienne of 1948-49, receiving her award at the end of an Our Miss Brooks broadcast that March. "I'm certainly going to try in the coming months to merit the honor you've bestowed upon me, because I understand that if I win this two years in a row, I get to keep Mr. Boynton," she joked. But she was also a hit with the critics; a winter 1949 poll of newspaper and magazine radio editors taken by Motion Picture Daily named her the year's best radio comedienne. For its entire radio life, the show was sponsored by Colgate-Palmolive-Peet, promoting Palmolive soap, Lustre Creme shampoo and Toni hair care products. The radio series continued until 1957, a year after its television life ended. http://en.wikipedia.org/wiki/Our_Miss_Brooks
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NYSTV - Hierarchy of the Fallen Angelic Empire w Ali Siadatan - Multi Language
 
02:31:05
Chronologically, after the fall of Adam, the fallen angels procreated with humans to create a genetic hybrid that was an unsanctioned creation from God. These "Giants" took over the world and were made the rulers of kingdoms. The "Enlilship" as it was called. This is where Ali's talk begins. The nephilim (hybrids) took positions of power and created all the false religions of the world. They reinvented themselves as the gods of old. Zeus, Aphrodite, Baal, Shiva, etc... They especially like to be associated as moon or sun gods. To this day, the Fallen Angel Hybrids hold all the key positions of power. We don't call them fallen angel hybrids, we call them the illuminati. Another in depth discussion by Ali Siadatan, whose topics of expertise include Fallen Angel Genealogy, Ancient pre flood history, the Illuminati, End Times Prophecy, Modern History, Ancient Aliens, UfOs and a lot more. His website is thinkagainproductions.com And don't forget to check out NYSTV with Jon Pounders. Free Truth Productions Truth = Freedom www.freetruthproductions.com Languages Afrikaans አማርኛ العربية Azərbaycanca / آذربايجان Boarisch Беларуская Български বাংলা བོད་ཡིག / Bod skad Bosanski Català Нохчийн Sinugboanong Binisaya ᏣᎳᎩ (supposed to be Burmese but it doesn't show...) Corsu Nehiyaw Česky словѣньскъ / slověnĭskŭ Cymraeg Dansk Deutsch Ελληνικά Esperanto Español Eesti Euskara فارسی Suomi Võro Français Frysk Gàidhlig Galego Avañe'ẽ ગુજરાતી هَوُسَ Hawai`i עברית हिन्दी Hrvatski Krèyol ayisyen Magyar Հայերեն Bahasa Indonesia Igbo Ido Íslenska Italiano 日本語 Basa Jawa ქართული Қазақша ភាសាខ្មែរ ಕನ್ನಡ 한국어 Kurdî / كوردی Коми Kırgızca / Кыргызча Latina Lëtzebuergesch ລາວ / Pha xa lao Lazuri / ლაზური Lietuvių Latviešu Malagasy 官話/官话 Māori Македонски മലയാളം Монгол Moldovenească मराठी Bahasa Melayu bil-Malti Myanmasa नेपाली Nederlands Norsk (bokmål / riksmål) Diné bizaad Chi-Chewa ਪੰਜਾਬੀ / पंजाबी / پنجابي Norfuk Polski پښتو Português Romani / रोमानी Kirundi Română Русский संस्कृतम् Sicilianu सिनधि Srpskohrvatski / Српскохрватски සිංහල Slovenčina Slovenščina Gagana Samoa chiShona Soomaaliga Shqip Српски Sesotho Basa Sunda Svenska Kiswahili தமிழ் తెలుగు Тоҷикӣ ไทย / Phasa Thai Tagalog Lea Faka-Tonga Türkçe Reo Mā`ohi Українська اردو Ўзбек Việtnam Хальмг isiXhosa ייִדיש Yorùbá 中文 isiZulu ‪中文(台灣)‬ tokipona Languages Afrikaans አማርኛ العربية Azərbaycanca / آذربايجان Boarisch Беларуская Български বাংলা བོད་ཡིག / Bod skad Bosanski Català Нохчийн Sinugboanong Binisaya ᏣᎳᎩ (supposed to be Burmese but it doesn't show...) Corsu Nehiyaw Česky словѣньскъ / slověnĭskŭ Cymraeg Dansk Deutsch Ελληνικά Esperanto Español Eesti Euskara فارسی Suomi Võro Français Frysk Gàidhlig Galego Avañe'ẽ ગુજરાતી هَوُسَ Hawai`i עברית हिन्दी Hrvatski Krèyol ayisyen Magyar Հայերեն Bahasa Indonesia Igbo Ido Íslenska Italiano 日本語 Basa Jawa ქართული Қазақша ភាសាខ្មែរ ಕನ್ನಡ 한국어 Kurdî / كوردی Коми Kırgızca / Кыргызча Latina Lëtzebuergesch ລາວ / Pha xa lao Lazuri / ლაზური Lietuvių Latviešu Malagasy 官話/官话 Māori Македонски മലയാളം Монгол Moldovenească मराठी Bahasa Melayu bil-Malti Myanmasa नेपाली Nederlands Norsk (bokmål / riksmål) Diné bizaad Chi-Chewa ਪੰਜਾਬੀ / पंजाबी / پنجابي Norfuk Polski پښتو Português Romani / रोमानी Kirundi Română Русский संस्कृतम् Sicilianu सिनधि Srpskohrvatski / Српскохрватски සිංහල Slovenčina Slovenščina Gagana Samoa chiShona Soomaaliga Shqip Српски Sesotho Basa Sunda Svenska Kiswahili தமிழ் తెలుగు Тоҷикӣ ไทย / Phasa Thai Tagalog Lea Faka-Tonga Türkçe Reo Mā`ohi Українська اردو Ўзбек Việtnam Хальмг isiXhosa ייִדיש Yorùbá 中文 isiZulu ‪中文(台灣)‬ tokipona
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Things Mr. Welch is No Longer Allowed to do in a RPG #1-2450 Reading Compilation
 
03:19:57
A list of things that Mister Welch is no long allowed to do in a tabletop rpg game. From Dungeons and dragons, call of cthulu, Pathfinder, Star Wars, and many other tabletop games and modules! 2450 entries in all! If you wish to see more from Eastside Show SCP (Eastside Steve), be sure to subscribe today for the latest videos! https://goo.gl/KekHSK The complete reading compilation of "Things Mr. Welch is No Longer Allowed to do in a RPG" numbers 1-2540! Enjoy the insanity, featuring RPG loop holes, insanity, and all sorts of table top shenanigans! Read along with me! ♣Read along: http://theglen.livejournal.com/389635.html TVtropes page: http://tvtropes.org/pmwiki/pmwiki.php/Blog/ThingsMrWelchIsNoLongerAllowedToDoInAnRPG "Pixel Peeker Polka - slower" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/
Просмотров: 162645 The Eastside Show
FULFILLM
 
02:36:44
фантастический сказка декламация lecture 童話 朗読
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Suspense: My Dear Niece / The Lucky Lady (East Coast and West Coast)
 
01:28:44
The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, "Backseat Driver," which originally aired February 3, 1949. The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain. At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with "Death on My Hands": A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him. With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series despite shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's "The Man Who Went Back to Save Lincoln" or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas. http://en.wikipedia.org/wiki/Suspense_%28radio_drama%29
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Calling All Cars: The Blood-Stained Shoe / The Ruined Suspenders / The King's Ransom
 
01:27:54
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role. The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station. Due to Dragnet's popularity, LAPD Chief Parker "became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation". In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay. Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel. The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous "cold case", and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) "represent the choices ahead for the LAPD": assisting Hollywood limelight, aggressive policing with relaxed ethics, and a "straight arrow" approach. http://en.wikipedia.org/wiki/LAPD
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The Great Gildersleeve: Leroy's Laundry Business / Chief Gates on the Spot / Why the Chimes Rang
 
01:29:30
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor. In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company ("If you want a better corset, of course, it's a Gildersleeve") and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity. Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog). The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons. http://en.wikipedia.org/wiki/The_Great_Gildersleeve
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belih- 2.avi
 
03:49:06
AMBER110- 05.avi
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